Andreas Liebmann

Emotional Training for worldwide bodies

Feet in Mexico, ears in Taiwan – An over-expansion

Be an enlightened citizen of the world. Rely on his observations, describe and understand the world in his own words.

How does that work in times of supposed contact between everyone and everyone else? Demonstrations or a somersault demand something else from my body than clicking on online petitions on the Internet.

But how does my body change when I can wind my feelings around the world? What does it mean to have an opinion? What does it mean, love?

In “Feeling training for worldwide bodies”, views on democracy, on guilt and responsibility, on eternal love and the personal character of cities with physical relationships synchronize.

When does one’s own migration story end in pure affect, in a rollover or in the highest notes? How do you fly without an airplane? A danced duet. Salto mortale. The lover appears. I was thinking about Gibraltar. Fermate. Is total intimacy a prerequisite for global thinking?

Concept, direction Andreas Liebmann Performance, play development Martin Clausen, Beatrice Fleischlin Music Michael Emanuel Bauer, Georg Karger Dramaturgy Max-Philip Aschenbrenner Equipment, technical direction Wolfram Sander Artistic collaboration Movement Pierre Caesar Assistance Maria Fuchs Hospitanz Johannes Hock production management/PR: honest work - free cultural office Co-production: HAU Berlin, Barracks Basel, Alte Liebe Bremen, Slaughterhouse Theater Bern 2010/2011 further guest performances: FFT Düsseldorf, Gessnerallee Zurich Supported by the Governing Mayor of Berlin, Senate Chancellery - Cultural Affairs, Migros Kulturprozent, Fondation Nestlé pour l'Art, Pro Helvetia, Ernst Göhner Foundation, Georges and Jenny Bloch Foundation and National Performance Network